A D V E R T I S E M E N T
What You See Is What You Get: 13
A D V E R T I S E M E N T
One static way to add depth to a three-dimensional model was to use stereo pairs of digital models, an extension of Dr. Bassett’s pioneering work.
What You See Is What You Get: 14
A D V E R T I S E M E N T
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Workstation animation using existing models, adding color and texture mapping, allowed for new dynamic interactions pioneered by the movie industry. The course of blood returning from the left lung is shown in this sequence.
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What You See Is What You Get: 15
A D V E R T I S E M E N T
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We could now combine form and function, in this case the journey of an oxygen molecule from mouth to red blood cell
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This page was last modified on 3/7/2007.
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